Comics have long been associated with both literal and figurative margins—think underground comix artists who worked outside the mainstream or cartooning’s common categorization as an inherently disposable low art. The history of comics calls attention to marginalization as a formal structure, visual aesthetic, and sociopolitical position that shapes and reshapes culture, from racist and sexist caricatures that capture the anxiety of their moment to resistant narratives of marginalized BIPOC, queer, and disabled creators seizing their own graphic narratives. Comics likewise become legible and purposeful through the formal use of margins and gutters, sites that open up radical space for rebellious reading and meaning-making practices. At the same time, librarians and instructors at every educational level across the nation have had to contend with comic book bans that seek to marginalize certain cartoon narratives into nonexistence. 

The 6th Annual Comics Studies Society Conference seeks to make space for comics on the margins, and encourages participants to consider the formal, aesthetic, political, and social ways of seeing and reading cartooning’s relation to the marginal spaces, concepts, and peoples. In direct response to the troubling legislation in Texas and elsewhere in the US, we hope to use this conference as a site of resistance to the politics of the state. To that end, we encourage roundtables, panels, workshops, and individual papers that work to better understand how comics creators and cartoons reshape, resist, and reclaim the margins. This year’s keynote presenters—Frederick Luis Aldama, Professor of English at the University of Texas at Austin, and MariNaomi, author of the forthcoming comic I Thought You Loved Me—reflect CSS’s ongoing commitment to supporting scholarship and cartooning by marginalized and underrepresented peoples.